- #BORIS FX CONTINUUM COMPLETE INSTALL#
- #BORIS FX CONTINUUM COMPLETE UPDATE#
- #BORIS FX CONTINUUM COMPLETE PRO#
Technically what this does is remove a matte key effect from the title and uses the matte and fill layer to its own advantage. Unfortunately the way to do this is to replace the title effect with a BCC effect. A cornerstone for the BCC package (and even GenArts Sapphire) is the ability to add effects to titles such as glows or particles (such as one of BCC Rays plug-ins). If you edit in an offline/online environment where you first edit at low resolution then “up-rez” to a broadcast quality resolution you will know that all titles need to be recreated at the target resolution. Inside of the Avid Media Composer plug-ins the use of effects on user-generated titles can get a little tricky.
#BORIS FX CONTINUUM COMPLETE UPDATE#
So look for a very similar glow to S_Glow in a future update - now that is customer service! I then asked him why this wasn’t a preset, first he said he made it this morning then and he said he will ask the engineers to add it in to the next BCC9 update. Peter sent me a preset for the BCC Film Glow that is very reminiscent of Sapphire’s S_Glow. So before I sing the software’s praises (which I will) you should know what the drawbacks are.Īt first I wasn’t convinced that BCC’s glows were up to par with others like GenArt’s Sapphire S_Glow or Red Giant Universe’s Chromatic Glow, but after talking with Boris FX senior product manager Peter McAuley I was convinced. I find it falls a little short in a few departments (mostly because of some shortcomings that involve Avid Media Composer), which I will go through first. Boris FX ( been referring to BCC9 this way: “The Swiss army knife of visual effects,” and while I agree that in general it is useful in many different situations, it doesn’t always hit a home run.
#BORIS FX CONTINUUM COMPLETE INSTALL#
The plug-in for different groups of software must be purchased separately (sorry this isn’t a one install for all deal).
#BORIS FX CONTINUUM COMPLETE PRO#
Soon-to-be released are offerings for Apple’s Final Cut Pro X, Motion and Blackmagic’s DaVinci Resolve. The host list includes Adobe After Effects and Premiere, Media Composer/NewsCutter/Symphony and Sony Vegas Pro. So what does Boris Continuum Complete 9 actually offer? BCC V.9 is a gigantic library of effects and transitions made for multiple NLE and effects platforms. The decision making process is not always practical. To put it into perspective how plug-in packages are sometimes chosen on projects, I’ve seen shows go with Sapphire solely because of their glows (which I do happen to think are superior, but more on that later) and I’ve seen BCC because the line producer has heard of it before. Now I know that these packages vary wildly with their offerings and prices, but these are what I see in broadcast productions a lot of the time, and with Red Giant throwing their hat in the ring recently I figured I should throw them in for comparison.
Without getting too deep into pricing structures, the somewhat comparable GenArt’s Sapphire plug-ins range from $1,699 for Adobe and $2,800 for Avid, while Red Giant’s Universe costs $399. The BCC9 Adobe After Effects and Premiere plug-in costs $995 while the Avid Media Composer/NewsCutter/Symphony plug-in costs a hefty $1,995 from the Boris FX online store.
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